The
Maa as an individual
The
maa is torn between the demands of the family (which involves keeping an eye on
baa’s covert operations aimed at luring Usha, rebuking Barki’s
infatuation with boyfriends and telling her to focus on her studies, and
looking after Cheeku) and the demands of her self. In a way, the family
is representative of the national where she,
as the mother of the three children, is the secular figure while
baa, the father, similar to Kekbaad, is in a position to do
whatever he wants to. This thought can better be illustrated in the
passage where she is drying her hair in the sun and thinking about the
body and the soul, when Cheeku immediately throws up
and gets sick. Even though she has just dressed up after washing her
hair and donning a fresh
saari, she holds her son in her lap and cuddles him, least concerned about anything but his health, in contrast to
baa who merely manages to pass an idle comment on the whole scenario. Soon after, baa
realizes that this is an opportunity that he cannot afford to
miss. He manages to twist the whole affair to his advantage after
mumbling pathetically about how they are running low on groceries,
squeezing in Usha into the picture and fantasizing about
spending time with her alone in the woods while Barki takes care of
Kikli. When the group leaves the villa,
maa, after crying over
baa’s infidelity and managing to put Cheeku to bed, starts thinking about herself, and her needs. The narrator’s voice opines:
“…use apne zaati muamlaat behtar banane ki kam az kam kuch koshish karni
chahiye thee. Jab ke use zaati halaat ka kaafi gham tha”. The voice seems to be sympathizing with
maa and her worries. At the same time, it is also urging her to start thinking about herself, to live her own life.
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