In no way can
Saleem Mirza be called the hero of Garam
Hava. He is the tragic and rather faulty protagonist who becomes a victim
of his own choices. At some points in the film, the viewer feels pity for him,
his dwindling respect even at the hands of the tonga wala who otherwise felt privileged to offer him a ride and his
great loss in business. But at other times the viewer is really frustrated at
him for his complete lack of agency and his consistent inaction. His downfall
is therefore not only the result of his identity as a Muslim in India but also
because of his stubbornness to accept change causing problems for his entire
family.
After reading
Ehsaan Manzil with a character like Sheikh Irfan-ul-Haq who is ready to confront
the people gossiping about him and his family as they welcome education for
women, one could assume that people belonging to Muslim aristocracy would be
vocal about their opinion even in situations that don’t particularly favour them.
But Saleem Mirza who also hails from a Shareef household fails to live up to
these expectations as he does not speak up for his rights and even against his
enemies. Few instances in the film are worth pointing out to show Saleem Mirza’s
passive and even subdued behaviour. When he is refused the loan, he doesn’t
urge the banker or even his old money lender to trust him based on his history,
when arrested he doesn’t question the officers but quietly follows them, even
when his sister breaks a promise of making Amina her daughter in law, Saleem
Mirza does not retaliate but closes the matter saying “Iss mein Allah ki bhalai ho gi”. Never has he voiced his demands, never
do we see him insisting his factory workers to stay in India with assurances
about a good livelihood and never do we see him negotiating with anyone in
business transactions whether it is extending the deadline for an order or
getting a loan. He seems naive when all his dialogues call attention to God as
the rescuer of situations or as he often phrases it “Allah maalik hai”.
One can even go
on to say that the death of his mother and daughter can very well be placed on
his shoulders. Dadi died primarily because the idea of letting go of the haveli
was too unbearable and Saleem Mirza refused to take any action to acquire it
regardless of his wife’s insistence. Similarly, he was adamant on not migrating
to Pakistan and his decision cost him Amina’s life who would much rather have
been close to her two lovers. Therefore, not only did Saleem Mirza become
miserable himself but his lack of action destroyed the lives of others. In the
end, the viewer criticizes him more for his follies rather than pity him for his
situation.
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